[Verse 1]
There’s no one in the computer area.
You can’t see in from the outside,
And the desks are luxurious,
“It’s perfect,” she said.

[Pre-Chorus 1]
“Shall we get started?” She said.
“The Wi-Fi signal is good,” I said.

[Chorus 1]
Only the sound of keyboard clicks,
Rang in the quiet space.
We toudhed it gently,
And released it gently.

[Verse 2]
Without talking,
She showed me the screen.
“I’m hungry,” she wrote.
“It’s only 11 o’clock,” I replied.

[Pre-Chorus 2]
“Shall we go to the break room?” I asked.
“I’ve been waiting,” she said.

[Chorus 2]
Only the sound of keyboard clicks,
Rang in the quiet space.
We toudhed it gently,
And released it gently.

[Instrumental Solo]

[Verse 3]
We took our laptops,
Went down the stairs,
Went to the lockers,
Grabbed our bags.

[Pre-Chorus 3]
We entered the break room.
And sat side by side.

[Chorus 3]
Only the sound of keyboard clicks,
Rang in the quiet space.
We touched it gently,
And released it gently.

[Bridge]
“What’s for lunch today?” She whispered in my ear.
“I think we can just talk normally,” I said.
“Oh, right,” she whispered in my ear.

[Final Chorus 3]
Only the sound of keyboard clicks,
Rang in the quiet space.
We touched it gently,
And released it gently.

[Outro]

Sound: Funk, groove, Jazz Fusion at 110 BPM. 16-beat an acoustic drum, funky slap electric bass, Yamaha grand piano, a side electric guitar with chorus effect, string section, and a rhythmic horn section, falsetto male vocals with female harmonies, and jazzy improvisation with a chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band with upbeat drums and uplifting.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: A tenor sax solo
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle female and male vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with the tenor sax solo.
Key: A major
BPM: 110
Duration: 3:00

[Intro]

[Verse 1]

We hurried towards the library entrance without umbrellas in the pouring rain.

“This is the entrance to the stacks,” I said.

“Maybe the entrance is on the other side?” She asked.

We definitely need umbrellas,” I replied.

[Pre-Chorus 1]

We went back to the car, opened our umbrellas,

And walked side by side.

[Chorus 1]

In the vast, silent space,

We climbed the stairs without making a sound.

The silent space continued.

[Verse 2]

We passed the parking attendant and 

Turned the corner of the building.

This is the entrance to the study room,

And isn’t that the library entrance?

[Pre-Chorus 2]

We put our ombrellas in plastic bags and 

Read the library’s instructions.

[Chorus 2]

In the vast, silent space,

We climbed the stairs without making a sound.

The silent space continued.

[Instrumental Solo]

[Verse 3]

We put all our belongings in lockers.

The only things allowed inside are

PCs, smartphones, and umbrellas.

This is where you can use a computer,

[Pre-Chorus 3]

That’s pretty strict.

Well, there’s a restroom here.

[Chorus 3]

In the vast, silent space,

We climbed the stairs without making a sound.

The silent space continued.

[Bridge]

I got my parking ticket stamped at the reception.

She whispered, “It’s pretty empty.”

“Is there Wi-Fi?” “ Looks like there is.”

[Final Chorus 3]

In the vast, silent space,

We climbed the stairs without making a sound.

The silent space continued.

[Outro]

Sound: Funk, groove, Jazz Fusion at 110 BPM. 16-beat an acoustic drum, funky slap electric bass, Yamaha grand piano, a side electric guitar with chorus effect, string section, and a rhythmic horn section, falsetto male vocals with female harmonies, and jazzy improvisation with a chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.

[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.

[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band with upbeat drums and uplifting.

[0:50 – 1:05] Verse 2: Same as Verse 1.

[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.

[1:15 – 1:30] Chorus 2: Same as Chorus 1

[1:30 – 1:40] Instrumental Solo: An alt sax solo

[1:40 – 1:55] Verse 3: Same as Verse 1.

[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.

[2:05 – 2:20] Chorus 3: Same as Chorus 1.

[2:20 – 2:35] Bridge: Gentle female and male vocals singing.

[2:35 – 2:50] Final-Chorus: Same as Chorus 1.

[2:50 – 3:00] Outro: Fade out with the alto sax solo.

Key: G# major

BPM: 110

Duration: 3:00

[Verse 1]
Our next destination is the library.
I operated my smartphone.
It’s 6.1km from here,
17 minutes at the fastest.

[Pre-Chorus 1]
I placed my smartphone in the cradle.
“I hope there’s a parking space available?”

[Chorus 1]
An island visible across the sea.
The volcano isn’t emitting smoke.
This is an unfamiliar town.
Actions speak louder than words.

[Verse 2]
Following the navigation guide,
We arrived without difficulty.
At the entrance to the parking lot,
The parking attendant asked.

[Pre-Chorus 2]
“Where are you going?” He asked.
I thought it was a Zen riddle.

[Chorus 2]
An island visible across the sea.
The volcano isn’t emitting smoke.
This is an unfamiliar town.
Actions speak louder than words.

[Instrumental Solo]

[Verse 3]
The map he was holding.
I understood everything.
This is the library and the study room.
The entrances are separate.

[Pre-Chorus 3]
I said, “The study room.”
He assigned us a spot near the entrance to the parking lot.

[Chorus 3]
An island visible across the sea.
The volcano isn’t emitting smoke.
This is an unfamiliar town.
Actions speak louder than words.

[Bridge]
He said, “Your parking time is three hours.”
“Come back here after three hours.”
She said, “I had no idea what you were talking about.”
I replied, “That’s hard to explain.”

[Final Chorus 3]
An island visible across the sea.
The volcano isn’t emitting smoke.
This is an unfamiliar town.
Actions speak louder than words.

[Outro]

Sound: Funk, groove, Jazz Fusion at 110 BPM. 16-beat an acoustic drum, funky slap electric bass, Yamaha grand piano, a side electric guitar with chorus effect, string section, and a rhythmic horn section, falsetto male vocals with female harmonies, and jazzy improvisation with a chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band with upbeat drums and uplifting.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An electric piano solo
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle female and male vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with the electric piano solo.
Key: G major
BPM: 110
Duration: 3:00

[Verse 1]
The opposite lane was congested,
So we had no choice but to climb the hill and leave the main road.
No way to make a U-turn.

[Pre-Chorus 1]
Turn right down that alley.
Go down the steep slope.

[Chorus 1]
Life will work itself out,
No matter what.
But if it doesn’t,
What will we do?

[Verse 2]
In the line of traffic,
I stuck my face and hand out the window,
And smiled brightly.
Five minutes lost.

[Pre-Chorus 2]
“I wonder if the maker is angry?”
“Did you have an appointment with him?”

[Chorus 2]
Life will work itself out,
No matter what.
But if it doesn’t,
What will we do?

[Instrumental Solo]

[Verse 3]
“No.” “Okay, it’s fine.”
Ultimately, 50 minutes late.
I handed her the torn motorcycle seat.
It would be ready after 5 pm.

[Pre-Chorus 3]
“We want to get home before dark,” I said.
She replied, “I’ll call you when it’s ready.”

[Chorus 3]
Life will work itself out,
No matter what.
But if it doesn’t,
What will we do?

[Bridge]
“What should we do now?” I asked.
My wife suggested, “How about waiting at the library?”
She added, “Like in the old days.”
I replied, “Just like back then.”

[Final Chorus 3]
Life will work itself out,
No matter what.
But if it doesn’t,
What will we do?

[Outro]

Sound: Funk, groove, Jazz Fusion at 110 BPM. 16-beat an acoustic drum, funky slap electric bass, Yamaha grand piano, a side electric guitar with chorus effect, string section, and a rhythmic horn section, falsetto male vocals with female harmonies, and jazzy improvisation with a chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band with upbeat drums and uplifting.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An electric guitar solo
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle female and male vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with the electric guitar solo.
Key: F# major
BPM: 110
Duration: 3:00

[Verse 1]
The car crossed the mountain pass.
The sea and islands came into view.
We sped down the steep slope.
Turning corners left and right.

[Pre-Chorus 1]
No volcanic activity today.
The blue sea and sky.

[Chorus 1]
Cheerful music played on the FM radio.
Only the tire noise remained.
The engine noise quieted down.
The scenery flowed by.

[Verse 2]
My first appointment of the morning.
I’m so late, what should I do?
“I told you so many times.”
“Hurry up,” she muttered.

[Pre-Chorus 2]
“What time is your appointment?” She asked.
“9 o’clock.” “And now?” “9 o’clock.”

[Chorus 2]
Cheerful music played on the FM radio.
Only the tire noise remained.
The engine noise quieted down.
The scenery flowed by.

[Instrumental Solo]

[Verse 3]
Navigation on my smartphone.
Traffic jams on the main road.
“Impossible,” she said.
“Where is our destination?”

[Pre-Chorus 3]
“I don’t know.”
“Is that okay?”

[Chorus 3]
Cheerful music played on the FM radio.
Only the tire noise remained.
The engine noise quieted down.
The scenery flowed by.

[Bridge]
She searched using my map software.
“It’ll take another 30 minutes.”
“Follow the navigation.”
“What’s this? I can’t turn right here.”
“We’re going up the hill.”

[Final Chorus 3]
Cheerful music played on the FM radio.
Only the tire noise remained.
The engine noise quieted down.
The scenery flowed by.

[Outro]

Sound: Funk, groove, Jazz Fusion at 110 BPM. 16-beat an acoustic drum, funky slap electric bass, Yamaha grand piano, a side electric guitar with chorus effect, string section, and a rhythmic horn section, falsetto male vocals with female harmonies, and jazzy improvisation with a chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band with upbeat drums and uplifting.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An electric distorted guitar solo
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle female and male vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with the electric distorted guitar solo.
Key: F major
BPM: 110
Duration: 3:00

[Pre-Chorus 1]
I called out, “Let’s go!”
She said, “Never mind the call.”

[Chorus 1]
Whenever we go out,
We feel excited.
For some reason,
We’re thrilled.

[Verse 2]
She said, “Step on the gas.”
I hastily replied, “Okay!”
I stepped on the gas.
My station wagon accelerated.

[Pre-Chorus 2]
I said, “Let’s drive safely.”
She replied, “Let’s zoom!”

[Chorus 2]
Whenever we go out,
We feel excited.
For some reason,
We’re thrilled.

[Instrumental Solo]
(Funky, distorted electric guitar solo E major 9 chords)
[Verse 3]
We refueled at a gas station.
I reset the odometer to zero.
We entered the highway.
There were no cars ahead.
[Pre-Chorus 3]
She yelled, “Step on it!”
I replied, “The speed limit is 70 km/h.”

[Chorus 3]
Whenever we go out,
We feel excited.
For some reason,
We’re thrilled.

[Bridge]
She said, “Open the throttle,
“Pump gasoline into the engine!”
“Drive at full speed!”

[Final Chorus 3]
Whenever we go out,
We feel excited.
For some reason,
We’re thrilled.

[Outro]
(Electric guitar ad-libs fading out with the engine hum)

Sound Design:
Style: High-Fidelity Nu-Disco, Modern AOR.
Vocal: Falsetto male, sophisticated tenor, airy female backing harmonies.
Instrumentation: Crystal clear Yamaha C7 piano playing shimmering maj7(add9) chords. Sharp, percussive slap bass. Fender Stratocaster with a heavy chorus effect. Punchy 16-beat drums with a wide stereo image.
Arrangement: Chromatic horn section hits, sweeping legato strings in the background, jazzy improvisation on the Rhodes in Verse 1.
Mastering: Pro-studio 24-bit depth feel, generous hall reverb on vocals, wide soundstage.
Key: E major
Tempo: 110 BPM
Duration: 3:00

[Verse 1]
Turning the corner of a supernova.
Pause at absolute zero.
Refracted by a prism.
The near-field glow of light.

[Pre-Chorus 1]
Towards eternal nothingness.
An epilogue of pause.

[Chorus 1]
Refraction of the light.
Burning through the fight.
I see the world in danger.
A glossy, brighter, eager.

[Verse 2]
Interactions within the microscopic realm.
Collision of matter against matter.
In Brownian motion,
It continues to move.

[Pre-Chorus 2]
Resonance with light.
The ever-changing resonance variable.

[Chorus 2]
Refraction of the light.
Burning through the fight.
I see the world in danger.
A glossy, brighter, eager.

[Instrumental Solo]

[Verse 3]
At the slightest signal,
Our bodies behave.
In our unconscious,
Energy is activated.
[Pre-Chorus 3]
Our heartbeats violently.
Enveloping everything.

[Chorus 3]
Refraction of the light.
Burning through the fight.
I see the world in danger.
A glossy, brighter, eager.

[Bridge]
“Your face is red.”
“You seem to have a fever.”
“I’m crazy about you.”
“You idiot.”

[Final Chorus 3]
Refraction of the light.
Burning through the fight.
I see the world in danger.
A glossy, brighter, eager.

[Outro]

Sound: High-Fidelity (Hi-Fi), Nu-Disco, Glossy R&B, 110 BPM, Crystal clear Yamaha C7 piano, Sharp slap bass, Punchy 16-beat drums, Sophisticated synth brass, Wide soundstage, 24-bit depth feel, Pro-studio mastering. Shimmering major 7th and add9 chords, a side electric guitar (Fender Stratocaster style) with heavy chorus effect, sweeping legato string section, and a powerful, harmonized horn section, falsetto male vocals, clear male tenor lead with an airy female harmonies, production features generous hall reverb and jazzy improvisation with a chord progression and chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band and soaring synth leads.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An acoustic guitar, Martinguitar-style clarity
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with an acoustic guitar(close-mic recording).
Key: D# major
BPM: 110
Duration: 3:00

[Verse 1]
I’m running to the future.
You’re shining like a bright star.
Shatters my heart.
You go all out.

[Pre-Chorus 1]
I don’t know how to dance.
But this is my only chance.

[Chorus 1]
My heart goes crash, crash, crash!
Like a lightning flash, flash, flash!
Feeling the love, feeling the beat.
Sweeping me right off my feet.

[Verse 2]
I might not be a comedy star,
But I can take you oh so far.
In this moment, you look so bright,
I’m gonna hold you through the night.

[Pre-Chorus 2]
High and low, I’m gonna fight,
Make the future shine so bright.

[Chorus 2]
My heart goes crash, crash, crash!
Like a lightning flash, flash, flash!
Feeling the love, feeling the beat.
Sweeping me right off my feet.

[Instrumental Solo]

[Verse 3]
Something unconventional,
A new wind is born,
And into a world never seen before,
Together with you.
[Pre-Chorus 3]
A time of new brilliance,
Overflowing with music.

[Chorus 3]
My heart goes crash, crash, crash!
Like a lightning flash, flash, flash!
Feeling the love, feeling the beat.
Sweeping me right off my feet.

[Bridge]
Drifting through the flow,
Watch the world go slow.

[Final Chorus 3]
My heart goes crash, crash, crash!
Like a lightning flash, flash, flash!
Feeling the love, feeling the beat.
Sweeping me right off my feet.

[Outro]

Sound: Funk, glossy R&B-pop Jazz Fusion at 110 BPM. Clean, driving 16-beat from an acoustic drum, funky slap electric bass, Yamaha C7 grand piano playing rich, shimmering major 7th and add9 chords, a side electric guitar (Fender Stratocaster style) with heavy chorus effect, sweeping legato string section and a powerful, harmonized horn section, falsetto male vocals, clear male tenor lead with an airy female harmonies, production features generous hall reverb and, jazzy improvisation with a chord progression and chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band and soaring synth leads.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An acoustic guitar
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with an acoustic guitar.
Key: D major
BPM: 110
Duration: 3:00

[Verse 1]
Yesterday evening we worked in the fields.
Making three round trips in the heat.
We harvested 96 onions.
We gave half to Alan and his wife.

[Pre-Chorus 1]
They received some onions as a gift,
Well, they won’t spoil, so please take them.

[Chorus 1]
They came all the way from France, on a tourist visa, and travel all over the world.
They return to their home country once a year.
In winter, they vacation on a tropical island.

[Verse 2]
This morning, the radish leaves
were withered,
So we harvested radishes.
with fresh green leaves and green peas.

[Pre-Chorus 2]
We kept 10 bunches of green peas for myself,
And placed 20 bunches on top of Alan’s mailbox.

[Chorus 2]
They came all the way from France, on a tourist visa, and travel all over the world.
They return to their home country once a year.
In winter, they vacation on a tropical island.

[Instrumental Solo]

[Verse 3]
The morning air was refreshing,
But the insects in the field were a real pain.
I quickly retreated
And returned to the kitchen.

[Pre-Chorus 3]
She said, “You’re quite active this morning.”
I replied, “Not really.”

[Chorus 3]
They came all the way from France, on a tourist visa, and travel all over the world.
They return to their home country once a year.
In winter, they vacation on a tropical island.

[Bridge]
She said, “I wish you’d be more passionate sometimes.”
I replied, ”Of course, I’d love to.”

[Final Chorus 3]
They came all the way from France, on a tourist visa, and travel all over the world.
They return to their home country once a year.
In winter, they vacation on a tropical island.

[Outro]

Sound: Funk, glossy R&B-pop Jazz Fusion at 110 BPM. Clean, driving 16-beat from an acoustic drum, funky slap electric bass, Yamaha C7 grand piano playing rich, shimmering major 7th and add9 chords, a side electric guitar (Fender Stratocaster style) with heavy chorus effect, sweeping legato string section and a powerful, harmonized horn section, falsetto male vocals, clear male tenor lead with an airy female harmonies, production features generous hall reverb and, jazzy improvisation with a chord progression and chromatic approach.

[0:00 – 0:10] Intro: Begin with a clear electric cutting guitar and a slap bass accompanied by upbeat drums.
[0:10 – 0:25] Verse 1: Add a warm Fender Rhodes piano and gentle vocals singing.
[0:25 – 0:35] Pre-Chorus 1:The lyrics are hopeful and uplifting.

[0:35 – 0:50] Chorus 1: Full band and soaring synth leads.
[0:50 – 1:05] Verse 2: Same as Verse 1.
[1:05 – 1:15] Pre-Chorus 2: Same as Pre-Chorus 1.
[1:15 – 1:30] Chorus 2: Same as Chorus 1
[1:30 – 1:40] Instrumental Solo: An alt sax
[1:40 – 1:55] Verse 3: Same as Verse 1.
[1:55 – 2:05] Pre-Chorus 3: Same as Pre-Chorus 1.
[2:05 – 2:20] Chorus 3: Same as Chorus 1.
[2:20 – 2:35] Bridge: Gentle vocals singing.
[2:35 – 2:50] Final-Chorus: Same as Chorus 1.
[2:50 – 3:00] Outro: Fade out with an alt sax.
Key: C major
BPM: 110
Duration: 3:00
Title: More Passionate Sometimes